When Henry Robertson decided to replace the old manor of the estate with his very own, he sought the services of esteemed architect Samuel Pountney Smith to make his dream home a reality. The result was Palé Hall, a striking example of Victorian country house architecture, embellished with touches of Jacobean Revival and Gothic styles. Like many Victorian Gothic structures of the era, the Hall follows an irregular layout that gives it a dramatic silhouette that starkly stands out from the Welsh countryside. The exterior features ornate gables, towers, and turrets, reminiscent of imposing medieval cathedrals.
The interior architectural details are equally lavish, and fortunately also largely intact. Spaces are arranged around a bright gallery hall and boast high-quality finishes, including rich wood paneling, decorative plasterwork, elaborate fireplaces with sculpted mantels, and geometric tiled floors. Reception rooms feature Renaissance-inspired ornamentation in wood and stone, as well as stained glass elements and finely carved oak joinery.
As for the aesthetics of accommodations, modern updates brought about an overlap between the classical and contemporary. Rooms and suites retain their traditional layout, integrating antique furnishings with stylish present-day comforts. Also considered were accessibility features, particularly for wheelchair-friendly units. These come with mobility-assisted bathrooms that include lowered sinks, raised toilets, and grab rails.
